The fourth in the successful string of found-footage flicks is coming home next month, and we’ve got the details and cover art.

Any day we converse with maverick filmmaker David Cronenberg is a good day, and after running a brief blurb about Fox’s rejection of his abstract script for a sequel to his 1986 masterpiece THE FLY, the man who made psychosexual body revolution an art form told us this:

In all my travels to horror events and goings-on, I get asked one question more than any other: “What is the scariest movie you’ve ever seen?” One would think that if this is such a common question, I should have some brilliant answer ready…some perfect title I can whip out and have the whole room agree, “Yes, this film is in fact scary as hell.”

With mainstream theaters flooded with holiday fare, New York City’s 92YTribeca (200 Hudson Street) continues to offer up genre goodness over the next few weeks, including a special appearance by one of horror’s greats.

The name Shawn Macomber may ring some dark bells: The journalist, writer, heavy-metal enthusiast and horror fan has seen his byline in a multitude of media. We’re more than a little grateful to have his eerie, arch Gothic tale “Queeny's Last Run” as one of our ongoing Weird Words 2 finalists.

Have a read, and prepare for warping…

This past week saw the relaunch of Rebekah and David Ian McKendry’s web show Midnight Movie, which began as a FANGORIA show on Ustream and has returned after almost a year on hiatus.

Yes, it’s as lousy as you’ve heard, and yes, it’s just as awesome. 1964’s ludicrous kiddie sci-fi romp SANTA CLAUS CONQUERS THE MARTIANS is about as dopey as Christmas movies get, and yet as a cult film, it stands alone.

A pair of documentaries about a couple of very scary subjects have now been slated for theatrical and on-demand exposure.

Adam Green sounds a little sleepy when Fango speaks to him the day after his FEARnet comedy series HOLLISTON has wrapped its second round of episodes. “This season,” he explains, “we started [HOLLISTON] after we finished photography on HATCHET III, so until last night, I hadn’t really slept since May—but I never want to go home.

After award-winning festival play and its Chiller network premiere this past October, the documentary about homemade haunted attractions is now available on disc.

This past summer and fall, the producers at Foresight Features shot a trio of genre films in Ontario, all in collaboration with PONTYPOOL author/scripter Tony Burgess. We’ve got comments from Foresight’s Jesse Thomas Cook on the movies, with exclusive pics by our own David Goodfellow from the set of the third to go to camera, SEPTIC MAN.