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In 1998, Min-Woo Hyung created PRIEST (Tokyopop), an intense
combination of a horror Western with blazing nonstop action. In this Korean
comic book manhwa, a lone gunslinger walks across the Western frontier with an
arsenal of weapons. This undead cowboy just wants revenge for the death of his
loved one. But as the cowboy kills each one of the fire-breathing demons and
hideous creatures, he is also becoming an unstoppable monster himself. His
thirst for blood will never be quenched until he finds those responsible for
ruining his life.
Ivan Isaacs was a young priest with a growing passion for
life. Ivan never thought his faith would break, until his beloved Gena was
murdered. Fueled with anger and revenge, he sold his soul to the devil in order
to hunt those responsible for Gena’s death. With this pact made in hell, Ivan
becomes an undead creature with superhuman strength. Beneath the cowboy hat,
his forehead is marked with a cross and he continues to wear the sacred clerical
collar around his neck.
Ivan wanders the desert valleys of the Wild West in search
of his enemies. In each lawless town, he must battle the many disciples of the
fallen archangel Temozarela. Ivan has to kill each disciple, before leading up
to the confrontation with Temozarela. Even if it means burning the entire town
down, Ivan will shoot his way though, ally or foe, just to get to his final
What’s interesting about this series is the commentary about
spirituality and the loss of faith. Temozarela fought for the side of good
during the war against Lucifer. But, when mankind was created, Temozarela felt
abandoned and wondered what his sole purpose in life was. This fallen hero
fights a demonic war against mankind, spreading plagues and death. Father
Isaacs lost his faith when Gena died and questioned why he followed his creed
before. He fights a neverending war against demons, spreading chaos and
disease, much like Temozarela. Though these two see each other as antagonists,
they share many personal qualities.
Undying love becomes a major theme throughout the ongoing
series. Ivan even meets Lizzie, another outlaw, who happens to closely resemble
Gena’s face. This tortured soul would do anything to bring Gena back from the
dead, even if the outcome meant turning her into a zombie. Haunted by images of
her dying in front of him, he realizes he can’t have her living empty in a
shell. In order to let Gena go, Ivan watches his loved one die all over again
and buries her in the ground.
The artwork by Hyung has a stylish black and white approach
to the supernatural violence. The angular style presents the undead creatures,
especially Ivan, as lean and bony characters. These aren’t graceful and smooth
attacks these individuals get themselves into. These are gritty and tough
confrontations that will leave the winner extremely bloody. Heads are shot in
the forehead, limbs chopped off, and bodies are burned alive at a wooden
The illustrations capture the Western lifestyle, especially
how some panels focus on the way the cowboys whirl their ropes around. To
lengthen the monster transformation, Hyung uses just tight close-ups on the
antagonist. In a series of extreme shots, the transformation starts off in the
opponent’s human form and finally turns into a demon. The splash pages are
alive with detail on the blazing western landscape.
The movie version of PRIEST, starring Paul Bettany and
Maggie Q, opens on May 13. Though the film diverges from the comic’s timeline
of events, LEGION director Scott Stewart keeps the Western and horror
mythology, while expanding upon the concept with fresh ideas. The 3D film will
explore the universe that Min-Woo Hyung created and bring the comic to a movie
audience in color and special effects. You can see a preview in FANGORIA #303,
on sale this month
PRIEST evokes the Western genre and mixes the premise with
fantastic horror imagery. The soulless zombie is now a cowboy with itchy
trigger fingers. Though this series is in another language, you don’t need
someone to translate the image of a gunshot to a zombie’s head. Stake it out.
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