This year, audiences awaiting the return of Eli Roth find an embarrassment of riches. On the directorial end, there’s both werewolf-in-a-steel town Netflix original series HEMLOCK GROVE and his Amazonian cannibal odyssey, THE GREEN INFERNO. The sometimes actor scripted and stars in Nicolas Lopez’s Chilean earthquake picture AFTERSHOCK and most relevantly, has lent a guiding hand to emerging talent, producing Ti West’s upcoming THE SACRAMENT and the sequel to one of the more undervalued of recent American genre films, THE LAST EXORCISM PART II (out March 1st). It’s this tale of Southern gothic that has Fango speaking to Roth about his own investment in continuing Nell Sweetzer's story, how audiences approach found footage, that which he's never seen before in a possession film and what his producing legacy aims to be.

Hot on the pencil-poked heels of our cheerfully repugnant EVIL DEAD cover announcement, FANGORIA Editor Chris Alexander tracked co-writer/director Fed Alvarez to his home in Uruguay to talk about his hotly anticipated gore-caked remake.

Writer/director Rob Himebaugh’s thesis film EAGLEWALK has been stomping its way across North America in a momentum-gathering festival run, leaving a strong buzz in its wake. The film aims to revive the Sasquatch subgenre, taking an often playfully handled beastie and returning it to its sinister roots. This is what a Bigfoot movie should be. Frightening, taut, and fun.

Having worked in all areas of filmmaking—from acting to production design on up— Tammi Sutton’s been called the busiest woman in B horror. Now, she’s further making a name for herself as a writer and director with well received festival film, ISLE OF DOGS. FANGORIA spoke with Sutton to see what advice this renowned female horror filmmaker could give to hopefuls everywhere.

Actor Robert Knepper has a long résumé; though he may be best-remembered from TV’s PRISON BREAK, he has also done solid work in horror, science fiction and fantasy. However, Knepper has never had a gig like the new series CULT before. Then again, few if any other actors have, either.

In conjunction with FEARnet’s "Complete EXORCIST Marathon" this Sunday, we had a brief chat with the iconic Linda Blair about her legacy from THE EXORCIST and beyond.

FATHER’S DAY was a breakout indie hit of 2012 and finally put the Winnipeg filmmaking collective Astron-6 on the map after a long time in the trenches of YouTube shorts and experiments in self-released DVDs. A gruesome grindhouse chronicle of a maniac cannibal rapist who only targets fathers, and the ragtag bunch on a mission to end his grim legacy, the film manages to not just entertain but also drive a message about the politics of the rape-revenge genre.