The room is quiet as actor Bradley James peers over at a sullen R.A. Mihailoff. “I’m trying to do right by you, Kris, but you’re giving me nothing,” says the exhausted officer. Mihailoff is off-screen, but nonetheless in character, replies, “I know, and I’m so very sorry.” Not a second later, the lovely Azure Parsons makes her way into the room, slams the door behind her and throws a file down onto the table. This writer is starting to wonder how many more takes that door can last before falling off its hinges. But there are more important matters at hand-like a psychopath covered in blood not answering some very important questions. We’ll answer some of these questions (and share some exclusive pics) below the jump, as Fango continues its set visit to MY NAME IS KRIS KRINGLE, which we last told you about here. The horrific holiday opus, written and directed by CAMERA OBSCURA’s Drew Daywalt, will debut on this site later this week.
If you’re familiar with Graham Reznick’s work for Glass Eye
Pix—and we’re not talking his debut feature I CAN SEE YOU or mindbending short,
THE VIEWER, but his day job of exceptional sound design on films like THE HOUSE
OF THE DEVIL—you can easily get excited about his participation in the
company’s quality on-line throwback to old-fashioned radio dramas, TALES FROM
BEYOND THE PALE. A spooky series of audio horror tales premiering each Tuesday
since this past October, TALES has showcased some of the genre’s most
outstanding talents, among them J.T. Petty, Simon Rumley and even Glass Eye
head Larry Fessenden. Reznick’s “The Grandfather” airs today, and its creator
spoke to Fango about the recording the episode, its origins and why it may
circumvent expectations.
In 
Earlier this year, Life of Agony bassist Alan Robert took a
dive into comics, something he’d been itching to do for years. The result was
WIRE HANGERS, a four-issue genre mashup that sees serial killers, monsters, noir,
government conspiracy and global warfare colliding into a unique beast. Now
that it’s collected in trade paperback form (out now from IDW Publishing),
Robert spoke exclusively to Fango about the collective response he’s received,
what to expect next from him and WIRE HANGERS…and just what LAID TO REST’s
Robert Hall and Nick Principe have to do with it all.
DEXTER, the Showtime hit based on a Robert Lindsay’s novels
and starring Michael C. Hall as its serial-killer hero, wraps up its fifth
season this Sunday night at 9 p.m. When season four ended with Dexter coming
home to find his wife Rita (Julie Benz) murdered by the Trinity Killer (John
Lithgow in an Emmy-winning performance), and his infant son Harrison wailing in
a pool of his mother’s blood, it was hard to imagine where the show could go
from there. The latest round of episodes have been all about taking DEXTER the
show and Dexter the character to new places.
Sorry about the delay…between shooting and the holidays I’ve
been slacking. So here’s my latest chronicle of the shooting of CHROMESKULL:
LAID TO REST II. (See part one of this diary 
THE WALKING DEAD has become the runaway success horror fans
were hoping for, breaking ratings records for AMC during its first season’s
brief six-week run. The overwhelming response is in no small part due to the
show’s serious emphasis on the people it follows through its land of the
undead, and just as in the comics, one of the most popular and resonant
characters has been young Glenn, essayed by Steven Yuen. The actor spoke
exclusively to Fango about Glenn’s evolution, bringing season one to an end and
what he hopes to see next year. Hit the jump for the full chat!