Horror film enthusiast and indie filmmaker Lindsay Denniberg kicked off her feature career with the surreal, dreamlike VIDEO DIARY OF A LOST GIRL (see our review). The film centers on Louise (Priscilla McEver), a succubus named after the eponymous silver screen legend Louise Brooks, and details the hardships that come with being a descendant of the demonic Lilith herself. Fango chatted with Denniberg about what occurred behind-the-scenes of the film to create the on-screen visual madness.

In person, actor James Purefoy seems like a charming, erudite fellow. So does his character Joe Carroll on THE FOLLOWING—at first. Carroll is a serial killer who escapes from prison in the first episode of the hit Fox thriller, only to be recaptured by Kevin Bacon’s character, ex-FBI agent Ryan Harding. Alas, Ryan discovers as the series goes on that Carroll has quite a few friends on the outside who are willing to die—and kill—for him in extremely gruesome fashion.

Since the launch of his viral marketing campaign for THE LAST EXORCISM, which favored post-viewing tweets from horror fans over professional critical consensus, Eli Roth’s philosophy as a producer has championed the democratization of film spectatorship. That attention to a multiplicity of voices has informed the bulk of his moviemaking process as well, including his stint co-writing and producing RZA’s directorial debut THE MAN WITH THE IRON FISTS (out on theatrical-cut and unrated DVDs and Blu-ray/DVD combo from Universal Studios Home Entertainment today). Fango spoke with Roth about the ins and outs of that process during his work in China for RZA’s dream project, and the themes and cultural influences that pervade his filmography.

[Actress and sometime FANGORIA contributor Jenny Wright (PINK FLOYD: THE WALL, NEAR DARK, I MADMAN) had the unique chance to meet up with writer and subversive film oracle Kier-La Janisse in LA last week,  to discuss her new book HOUSE OF PSYCHOTIC WOMEN. So moved was Wright by Kier-La’s critically lauded book, that she penned this exclusive essay for us. Have a read…]

George A. Romero’s NIGHT OF THE LIVING DEAD has been remade, officially or unofficially, countless times, almost always with disappointing—if not disastrous—results. But Douglas Schulze’s MIMESIS (on DVD and Blu-ray tomorrow from Anchor Bay) adapts that classic in original and intriguing ways. FANGORIA spoke to the Michigan-based director about his horror homage.

Adolf Hitler and the Third Reich left a deep imprint on not only history, but modern society and the movies. But while some filmmakers have been inclined toward the dramatic and political aspects of Nazism, others have opted to poke fun at the Führer’s mad ideology—revealing, beyond the surface silliness, more interesting ideas than in some serious titles. One such feature is Finnish director Timo Vuorensola’s IRON SKY, which just had its new Director’s Cut screened at the Berlin International Film Festival.

HALLOWEEN’s Tyler Mane goes all scary again in DEVIL MAY CALL, the new film from director/co-writer Jason Cuadrado. Fango got the scoop on the thriller from the TALES FROM THE DEAD filmmaker himself, plus the exclusive trailer and some exclusive pics. Besides oversized stalker Mane, DEVIL MAY CALL also stars UNREST’s Corri English, CUJO’s Daniel Hugh-Kelly and EXCISION’s Traci Lords.